![]() Skateboarding appears as per usual, this time in the form of subverted workwear cues of a blue shirt and baggy black pants, which simultaneously welcomes Off-White™’s vision of tailoring. Tapestry informs bags, bomber jackets and pants each falling into a new skiwear theme, made using a trio of performance-focused layered materials that deliver form and function. Virgil Abloh was one of the freest-thinking black men of our time.”Īs for the collection itself, we find plenty of stellar looks. He inspired hope and brought about change. He showed the world that the underrepresented, the underdogs and Black people, in particular, have brilliant minds and can push and compete equally in the establishment. revolutionized streetwear and luxury that crosses generations and decades. Speaking on the overall project and the brand, Kamara says, “Making a successful luxury brand in nine years is genius… It’s a feat that I admire and hope to continue building upon with a rich legacy. They achieve this merely by existing, continuing Abloh’s legacy. It’s with this that the collection and the campaign come together as one, because like the photos and the city, the clothes also promise a sense of ambition and growth, development and survival. ![]() Broad brush strokes of varying shades of blue, ultramarine and indigo refrigerate this exceptionally hot city.” The initiative and ambition of the local culture to paint the built environment blue is profound. Apparently, it began to paint itself blue as an omen to bring water to the area it’s about nourishment, growth, survival and development. Per the brand, “The city of Chefchaouen was key as a deeply historical old town with a very surreal point of view and notoriety. Blue has long been a part of Off-White™’s identity a bold primary color that lends itself to the calming and reassuring references in the world of workwear, hazards and other symbols that play into the brand’s work - contrasting its signature red zip-ties or yellow warnings.
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